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Below he tells us more. What inspired you to create this book and explore the relationship between space and sex specifically? This pleasure function of architecture and interior design continued within the brothels of Europe and elsewhere, even though procreation was no longer the aim.
When I started researching in Cali, the first thing that struck me was the importance placed on the art and decoration of sex establishments, and the manner in which inexpensive, popular manifestations of art was conceived of as heightening the pleasure aspect of sexual encounters.
Much of this art was exotic rather than erotic, revealing a romantic notion of art and pleasure. This was especially true for Motel Kiss Me, a thematic love motel in which rooms are covered with art from floor to ceiling. Assuming there was a multitude of other cities and countries you could have chosen, why did you choose to focus exclusively on Cali, Colombia?
From there, I started sticking my camera into all types of sex establishments around the city, of which there is a huge variety and for all budgets. This all allows for a less exploitative and more human interaction between people. This openness made it a lot easier to have access to these establishments and to photograph them. In the introduction of the book, you say that the marriage-bed has never been the centre of sexual activity.
Given that Catholicism is the main religion of Colombia, why do you think there is such a demand for these establishments in a seemingly conservative country? More important than Catholic dogma is the local culture of Salsa music and dancing, which encourages romance and sexuality.